Iron Man 2 (2010)
In all honesty, Iron Man 2 plays too much like a setup for The Avengers and not enough like a self-contained entity.
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In all honesty, Iron Man 2 plays too much like a setup for The Avengers and not enough like a self-contained entity.
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A sense of discovery permeates the proceedings, which is part of the reason why Oblivion took me by surprise and swept me away.
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When all is said and done, The Cabin in the Woods stands proudly as an absolutely ingenious deconstruction of the horror-film genre.
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Skyfall delivers just about everything one expects from the Bond franchise’s fiftieth-anniversary film.
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[A] grittier and more realistic cinematic take on James Bond.
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Hilarious and occasionally poignant, Carnage soars to a level of comedy rarely reached by chamber dramas.
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The carefully constructed narrative jumps back and forth in time, building suspense and slowly but surely revealing its secrets.
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The R-rated humor generates plenty of laughs, all the while with a welcome element of warmth to it.
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The Artist is so meticulously researched and crafted that it comes across, by and large, as a movie made in the heyday of the silent-film era.
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The strength of [Gareth Huw] Evans’s slick, intense direction lies in how it makes the viewer forgive the […] shortcomings of the movie.
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